Dverse Poets – Meeting the Bar

Headshot of Louisa May Alcott (November 29, 18...

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What a great exercise Dverse has come up with this week! Thanks to Claudia and Zsa from the zumpoems site

The task is to take a passage of prose and, following several steps, ‘translate’ it into poetry.

As suggested I went to Project Gutenberg Australia and picked the opening of a  Louisa May Alcott piece ‘On Picket Duty’.

October moonlight shone clearly on the solitary tree, draped with
gray moss, scarred by lightning and warped by wind, looking like a
venerable warrior, whose long campaign was nearly done; and
underneath was posted the guard of four. Behind them twinkled many
camp-fires on a distant plain, before them wound a road ploughed by
the passage of an army, strewn with the relics of a rout. On the
right, a sluggish river glided, like a serpent, stealthy, sinuous,
and dark, into a seemingly impervious jungle; on the left, a
Southern swamp filled the air with malarial damps, swarms of noisome
life, and discordant sounds that robbed the hour of its repose. The
men were friends as well as comrades, for though gathered from the
four quarters of the Union, and dissimilar in education, character,
and tastes, the same spirit animated all; the routine of camp life
threw them much together, and mutual esteem soon grew into a bond of
mutual good fellowship. (http://freeread.com.au/ebooks00/fr100279.txt)

It needed very little change to become poetry according to my tastes…a testimony to the quality of the prose as it stood.

On Picket Duty (found from a story by Louisa May Alcott)

October moonlight on solitary tree,
trunk moss draped, lightning scarred, wind warped­-
warrior campaign nearly done.
Underneath, a guard of four.

Behind camp-fires on distant plain.
Before, a road, army-ploughed
strewn with battle relics.

To the right, a sluggish river slides
through impervious jungle;

To the left, swamp air heavy with malarial damps,
discordant sounds, air robbed of repose.

Four men –  friends, comrades,
from four quarters of the Union.
Unalike in education, character, tastes,
fired with the same spirit;
camp life nurturing esteem,
a bond of brotherhood.


									
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I just have to tell somebody…

Today is a great day!

I have received my first commission!
Someone not only wants me to write some poems – they are willing to pay for them – that’s right – real money.
If you could see me now you may notice that I am ten feet tall and have a grin this wide – oh, you can’t see how wide – well, it’s bigger than big.

Agnes Meadows, star that she is, has won Arts Council funding for Loose Muse, London’s only showcase specifically for women writers, and one result is that she has asked me to contribute to the first Loose Muse anthology. This will be published in February 2012 ar a special event. Consequently, I have until 19th December ( a real deadline!), to write 5 poems on a theme of my choice.

Now…to work…

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Walking the dog this morning

 

Crackle-tan and ochre
scuffs beneath our feet.
Sienna, burnt and raw
rain-pasted to coarse
paddock grass. Single, lemon
hued leaflings hurtle in mad
dance ankle high, defy
demented terrier snap – drop
like stone, to lie atop
wind-piled drifts of
autumn treasure.

 

autumn, colour ,fallen leaves

 

 

 

 

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Dverse – form for all

Still struggling with the problem of whether an ‘ed’ ending to a verb constitutes a syllable, I have attempted a Somon  in tanka form for the Dverse form for all.

I suspect it is neither a tanka relying as it does on enjambment for meaning, nor in the tradition of Somon – though, oddly for me, it almost addresses the concept of love…well offers a sideways glance at it !

Lined face, life’s map
of years lived, shared, fought
still comes to my dreams.
Smoulders, wraps, smiles, loves.
I wake, duvet wrapped, here – still.

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DVerse – a poetic conversation

After a long absence, I finally have the chance to respond to the Dverse poets prompt…it’s good to be back!

My effort for the conversation in a poem is:

Enough Excitement for One Day

He dreamed of warm sea, unfamiliar skies
she planned a day at Eastbourne.
He considered jetting easily within his pension,
she mastered the middle lane of the motorway.
He mused about sporting matching sarongs,
she bought identical plaid rugs.
He intended late-life muscle tone and tanned limbs,
she tucked the rug tight across his lap against the chilly Channel breeze.
He savoured spicy meats, cocktails sparkling, gaudy,
she packed a simple picnic, sweet tea in the Thermos.
He yearned for aromatic, musky scents,
she breathed deeply salt-tanged, fish-smacked ozone
and turned her proud smile to his stroke-struck face.
He tried to smile with the moving part of his lips.
Couldn’t. Swear words jumbled, never reached his tongue.
He tipped his tea onto the plain of rug, taut across his knees.
She touched his cheek, eyes damp – from the breeze?
“I think we’ve had enough excitement for one day.
Next time it will be easier.” For a moment,
she watched tankers as they slipped easily across the horizon,
then stood and slowly folded her blanket,
corner to exact corner,
preparing their return to the car.
He did not help.

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Two milestones…

I’m feeling quite pleased with myself today as I relax with a frothy coffee and watch the birds bickering on the newly filled feeders. The sun is streaming hotly through the glass and the leaves on the trees in the garden are positively glowing. The berries on the holly are fat and look as if they have been polished and the nasturtiums are straggling untidily like orange froth across the terrace wall.
The past ten days have been hectic, with the production of the first novel to be published by Four Point Press (one of my new ventures http://www.fourpointpress.com)) boxed up and ready to be collected by the author, as well as the final edit of the anthology for Paragram’s (www.para-gram.com) Toe in the Water reading event in November.
Maria and I managed to fully edit the text, finalise the cover and get the book printed in four days…that must be some kind of record. So now, FPPress has two published books to its name. Brilliant.
A copy of each book has been parcelled up, ready to be sent to the British Library, and I am sitting here with my face in the sun and my feet up, I am lazily considering my next tasks…a poem on Dedication for the Olympic Storytellers’ next challenge and the stock Jill and I need to prepare for our debut at the Country Market in the middle of November… later the urgency will return, but for now, I am enjoying ten quiet minutes in the sun.

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Coming up Fast

An evening of new and original poetry and prose readings

We are working so hard to prepare for this event and to get the Anthology published in time to be available for sale on the night, that it is easy to forget how fast the time is passing.

My main fear is not the moment when I have to step up to the mic and read…it’s lifting my head and seeing no audience! I hadn’t really understood how hard it is to get the message out about the event, and more importantly, to get it to the right people.

We have found many friendly local businesses in Chertsey and the surrounding area who are willing to display our posters, and we owe them all a big thank you. We have organised a press release and contacted local radio. Thanks to Greg Freeman for adding it to the ‘Write Out Loud’ website. Those of us with Facebook pages have advertised an ‘event’. The great people at the Chertsey Bookshop are doing their best to bring the event to the public’s notice, we have pestered all the ‘contacts’ on our email accounts….so what have we forgotten?

If anyone out there has an inspirational idea for publicising the evening, which I know will be funny and poignant…not to mention the cake…please leave a comment and I’ll follow it up!

 

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This and that

There are some weeks where there is just no flow and this is one of them. Lots of little ends to tie up and no major project to keep me fully engaged. Having sent of the collection of poems to a publisher, I am casting around for what I should do next.

I have sent the first Four Point Press novel to be printed for our first self publishing author..many more to follow I hope…though the business hasn’t been publicised yet.

Paragram is moving steadily towards the first public reading event on 11th November at 7.30 pm in the Chertsey Bookshop. reading pieces have been identified and material for the anthology is mounting up as I type – all fonts embedded and Garamonded!

There is no current Olympic storyteller challenge at the moment – my ‘Team’ poem having netted a bronze medal this time, so my ball gown was not needed for the first prize which was tickets to the Olympic Ball last Friday evening. The poem can be read at http://www.btlondon2012.co.uk/storytellers/Article-Pages/Article001.php?id=204&newcode=7&featureid=32

The first revived Stanza meeting went well last week, and hopefully that will gather momentum as more local poets find out about the group…publicity underway via the Poetry Society, existing members and Write Out Loud website.

I have discovered that my ‘novel’ , which is currently being used as scrap paper in the printer was written from entirely the wrong character’s voice and with the help of Adrienne Dines, my brilliant mentor, have mapped out the rewrite – all I need is the name of the main character…something tough and pithy yet still feminine…

I’ll just have to concentrate on the Country Market, a new initiative, for local writers/artists as well as for the market itself. We have been given the opportunity to sell chap books and anthologies of local pieces of writing illustrated by local artists…there will also be greetings cards of the illustrations and ‘poems on a postcard’. Time will tell as to whether any one will buy…but worth a shot I think.

I have also promised myself to start submitting more work both online and to poetry journals, so in fact there is plenty to be done and grumbling as I am in this post is merely another sort of prevarication…

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In the Post

A collection of fifty four poems which has taken nearly two years to complete. A two year journey which has seen my poetry change as my attitudes have changed, as I have learned more. At some points I think a reader might wonder if the poems at the end of the collection were written by the same person as those nearer the beginning.

The journey started when a poem that I read at a local Stanza group was well received. One of the members, very active in the publishing world recommended that I put together a collection on the same theme. At the time it sounded plausible, and if not easy, then at least do-able. I was not prepared for the days when I could find no words. Others when I was sick of the sound of my own voice, that same voice that it took me ages to find and then even longer to believe in.

Oddly, now that I had an undreamed of opportunity to write to a concrete purpose, my confidence fled along with any words that, put together, didn’t sound crass or clichéd. I began to doubt whether I had anything of  meaning to say at all. It was at these lowest points that I thank the gods for friends and, most of all, writing friends. Without the support and encouragement of the writing groups I belong to, and, much later, on-line contacts, I would have been the poet who squandered her best opportunity to be published.

Not that publication is a certainty, or even more than a remote possibility, but the point is, I made it to my fifty poem target. I said what I wanted to say, once I started writing from within myself once again rather than with lofty thoughts in my head. More than that, I have submitted a full collection to a publisher for consideration. I am even resolved that when ( dare I think ‘if’) I get the rejection letter, I will pick myself up, dust off the poems in line with any suggestions and submit them somewhere else.

This journey has been long and one of  considerable self-searching about why I need to write, who might want to read my words, and on one glorious occasion, even hear me read them in the Poetry Cafe in London. It has embraced my darkest fears when my son was in danger (the theme is the effect on a family of having a soldier serving in a theatre of war), to the great moments when he walked back into the house, safe. It has led me to investigate forms of poetry, their effect on the thread of the words and their meaning. It has encouraged me to learn about other countries suffering great conflict, their cultures and beliefs; to question my own thoughts, reactions and opinions.

In short, it has been an amazing experience and has led to a body of poems that I am proud to have put together. So, ‘Deployed’ a collection of poems about the realities of war as experienced by the families left at home is, as I write, in the post to a publisher.

My question now is, what next? I find I am casting around looking for the next project , searching for my next big idea…

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Last Train Journey for Dverse Poetry

One way only

I just couldn’t resist this in answer to Claudia’s prompt on Dverse…

 

The pauper and the Spanish gentleman,
a seamstress, apprentice, clerk and engineer;
the builder, inn-keeper, much loved wife;
a flower girl, a thief, doctor and solicitor
slumber side by side, shuffle
to the rhythm of wheel on steel rail.
Steam whispers in through rail car
slats, sooty, damp, grey.

Drunkard, laggard, abstainer, the bully,
brought to the same end as the gentle, the
caring, the feeble, the strong. Swathed, snug in satin
or wrapped thinly, bouncing against cheap pine,
they jostle, rich against poor, good next to bad,
the uncaring, the pure, close enough to touch
but beyond touching, past knowing, levelled
by death, travelling in the coffin train.

In the carriages of the living, niceties continue.
The rich turn their backs on all but their friends.
The poor shrivel, at pains to cause no trouble ‘ere sir. Their
carriages separated by iron junctions. Wooden seated
or velvety cushioned, Brookwood cares for neither-
the only distinction – sunny south for Anglicans, gloomy
north for the rest. On today’s train, be-furred, bejewelled
will wait, while poor and poorer alight in warmth.

and the unscrupulous, mourning clad,
clutching bags of clubs-
golfers – glad of the cheap run to the country,
hop the cemetery pales
and make off to play the greens!

 

Brookwood Necropolis was set up by law to alleviate the pressure on burial space in central London. In 1854, it opened its gates and cemetery trains began to run daily from a dedicated platform at Waterloo Station to take coffins and mourners the 25 miles into the Surrey countryside for burial. There were two platforms at the destination – the South for the consecrated (Anglican) , the North for the rest. Although there were 1st, 2nd and 3rd class carriages for the mourners, the coffins all travelled together in the same car regardless of status – a previously unheard of idea for the times.
The area around Brookwood was populated by golf clubs of fame and because the fare was cheaper on the coffin train, golfers would dress as mourners, then, on arrival, climb over the cemetery walls and make their way , clubs in hand, to their games.

 

 

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